A grouping of three hand-molded leather studies from the Remnants series.
Each piece preserves an individual impression of the tools and objects that shaped a life, while together they form a larger visual archive. Designed to be displayed as a collected arrangement, with each work remaining distinct and one of one.
( no. 019, 024, 029 used from series)
Hand-molded vegetable-tanned leather
Individually hand-dyed using multiple dyeing techniques to create depth and tonal variation
Buffed, conditioned, and finished by hand
Mounted to a wood panel
One-of-one original artwork
Approximate weight: 3 lbs
Two 12” × 6” artwork panels, One 7” × 7” artwork panel
Vegetable-tanned leather is a natural material that retains the marks, scars, wrinkles, and variations accumulated throughout the animal's life. These characteristics are intentionally preserved rather than concealed, allowing each piece to retain the authenticity of the material. Minor surface variations, impressions, and tonal shifts are not imperfections—they are an integral part of the work and ensure that no two pieces can ever be identical.
A grouping of three hand-molded leather studies from the Remnants series.
Each piece preserves an individual impression of the tools and objects that shaped a life, while together they form a larger visual archive. Designed to be displayed as a collected arrangement, with each work remaining distinct and one of one.
( no. 019, 024, 029 used from series)
Hand-molded vegetable-tanned leather
Individually hand-dyed using multiple dyeing techniques to create depth and tonal variation
Buffed, conditioned, and finished by hand
Mounted to a wood panel
One-of-one original artwork
Approximate weight: 3 lbs
Two 12” × 6” artwork panels, One 7” × 7” artwork panel
Vegetable-tanned leather is a natural material that retains the marks, scars, wrinkles, and variations accumulated throughout the animal's life. These characteristics are intentionally preserved rather than concealed, allowing each piece to retain the authenticity of the material. Minor surface variations, impressions, and tonal shifts are not imperfections—they are an integral part of the work and ensure that no two pieces can ever be identical.